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・ Master of the World (novel)
・ Master of Theological Studies
・ Master of Theology
・ Master of Thunder
・ Master of Veterinary Science
・ Master of Vyšší Brod
・ Master of Wavrin
・ Master of Weapon
・ Master of the Annunciation to the Shepherds
・ Master of the Antiphonal Q of San Giorgio Maggiore
・ Master of the Antwerp Adoration
・ Master of the Arboga altarpiece
・ Master of the Art
・ Master of the Assisi Choirbooks
・ Master of the Bamberg Altar
Master of the Bambino Vispo
・ Master of the Banderoles
・ Master of the Barbarigo Reliefs
・ Master of the Bargello Tondo
・ Master of the Baroncelli Portraits
・ Master of the Beighem Altarpiece
・ Master of the Berswordt Altar
・ Master of the Blue Crucifixes
・ Master of the Books
・ Master of the Brunswick Diptych
・ Master of the Buckhounds
・ Master of the Bützow Altarpiece
・ Master of the Cappella Medici Polyptych
・ Master of the Ceremonies
・ Master of the Children


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Master of the Bambino Vispo : ウィキペディア英語版
Master of the Bambino Vispo

The Master of the Bambino Vispo was an Italian painter active in the early 15th century.
In the early 20th century, the art historian Osvald Sirén identified a group of unsigned paintings as being by the same artist. Sirén designated the artist as the Master of the Bambino Vispo (Master of the Lively Child) due to the unusually lively expression and movement of baby Jesus in these paintings. The paintings Sirén wrote about are:
* ''Virgin and Child with Saints and Angels'' in the Accademia di Belle Arti Firenze in Florence, Italy (probably by Mariotto di Nardo)
* Triptych of the ''Virgin and Child with Music-making Angels and Four Saints'' in the Galleria Doria Pamphili in Rome
* ''Virgin of Humility'' in the Philadelphia Museum of Art
* ''Mary Magdalene, St. Lawrence and a Cardinal Donor'' in the Bode Museum in Berlin.
Pietro di Domenico da Montepulciano (active 1418-1422), Parri Spinelli (1387-ca. 1453), Miguel Alcanyis (active 1408-1447) and Gherardo Starnina (1354–1403) have each been credited with this body of paintings at one time or another. The preponderance of scholarly opinion currently favors Gherardo Starnina, who worked in Spain and then in Florence in the late 14th century.
==References==

* El Paso Museum of Art, ''The Samuel H. Kress Collection'', El Paso, El Paso Museum of Art, 1961.
* Sirén, Osvald, ''Early Italian Pictures, the University Museum, Göttingen (Conclusion). Lorenzo Monaco, Mariotto di Nardo, Parri Spinelli, and the Compagno di Agnolo'' in The Burlington Magazine for Connoisseurs, Vol. 26, No. 141, Dec., 1914, 107-114.
* Sirén, Osvald, ''Pictures by Parri Spinelli'' in The Burlington Magazine for Connoisseurs, Vol. 49, No. 282, Sep., 1926), 117-125.


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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